âMargaret Clarkâs poetry is a joy. I loved Frayed Edges, her first book, and I read it in one sitting, such was my delight! In this marvellous new collection, Clark continues her insightful foray into the experiences of a life well-spent. Her excellent use of metaphor is a powerful tool. For instance, Clark skilfully utilises âAristotleâs Elementsâ â fire, wind, water â to address current environmental degradation. She concludes the poem by simply yet tellingly asking, âBut what of the earth, the stoic earth?âŚwhen will she turn, and say, âNo more?ââ Clarkâs vocabulary, refreshingly devoid of the merest hint of pomposity, her subtlety, gentleness of expression, humour and perception combine wonderfully. Her use of conversational language, with her delightful rhythm and pace, is special. Her poems resonate with the reader personally. Her sense of irony, indeed her quirky view of life, and her rare ability to move the reader from warm chuckles, a burst of giggles, the odd guffaw, to a sudden, surprising, slow slide of tears feature in âNot a Love Poemâ, âSeasons of Lifeâ and âFarewellâ. Clarkâs poems are very much a modern womanâs life story. They are enhanced by her delightful sense of humour, humility and a complete absence of pretentiousness or arrogance. Poems such as â Oh, I Wish I Hadnât Eaten Thatâ and âBest We Forgetâ deal with life and its attendant absurdities, joys, sorrows and dramas. Margaret Clark gives voice to the thoughts and emotions of us less talented individuals. For this we can only say thank you.â - Frank Brennan Dip T, B.Ed., Superintendent of Education NT (retired)
âMargaret Clarkâs poetry is a joy. I loved Frayed Edges, her first book, and I read it in one sitting, such was my delight! In this marvellous new collection, Clark continues her insightful foray into the experiences of a life well-spent. Her excellent use of metaphor is a powerful tool. For instance, Clark skilfully utilises âAristotleâs Elementsâ â fire, wind, water â to address current environmental degradation. She concludes the poem by simply yet tellingly asking, âBut what of the earth, the stoic earth?âŚwhen will she turn, and say, âNo more?ââ Clarkâs vocabulary, refreshingly devoid of the merest hint of pomposity, her subtlety, gentleness of expression, humour and perception combine wonderfully. Her use of conversational language, with her delightful rhythm and pace, is special. Her poems resonate with the reader personally. Her sense of irony, indeed her quirky view of life, and her rare ability to move the reader from warm chuckles, a burst of giggles, the odd guffaw, to a sudden, surprising, slow slide of tears feature in âNot a Love Poemâ, âSeasons of Lifeâ and âFarewellâ. Clarkâs poems are very much a modern womanâs life story. They are enhanced by her delightful sense of humour, humility and a complete absence of pretentiousness or arrogance. Poems such as â Oh, I Wish I Hadnât Eaten Thatâ and âBest We Forgetâ deal with life and its attendant absurdities, joys, sorrows and dramas. Margaret Clark gives voice to the thoughts and emotions of us less talented individuals. For this we can only say thank you.â - Frank Brennan Dip T, B.Ed., Superintendent of Education NT (retired)